VIDEO OF THE RESTAURANT LA MAISON ROSE IN MONTMARTRE
Saturday, February 26, 2011
Prom Group House Rentals Poconos
THE ROSE MAISON PARIS, PARIS BISTRO Le PARISIEN
THE BOHEMIAN PARIS. VIDEO
METRO
METRO
Bouquin
PONT NEUF (New Bridge) 
THE BOHEMIAN PARIS. VIDEO
METRO
METRO
Bouquin
PONT NEUF (New Bridge)
White Lump On My Lip Piercing?
Made Joel Madden Clothing
PARIS RIVE GAUCHE PARIS CHIC
VISIT DOCECITY
private pool rental
Restaurants
one massage table at home
Small daring adventures ....
Paris chic trendy
et Ateliers de créateurs, boutiques branches, repair vintage
If l'élégance est une vertu, est un chic you talent. À Paris, celui-ci d'ateliers are créateurs decline in boudoir lingerie valuable multistore of mysterious creative in vintage shops.
Like our lives, the Parisian fashion metamorphoses, constantly reinventing itself. Over the street from the Tuileries to Abbesses, via Saint-Germain-des-Prés and the Marais, a real geography is emerging style, inviting look of adventurous exploration gourmet trends, the conquest of a "certain look".
París y de moda classy
If elegancia es una Virtud, lo chic are a talento. The
moda Parisina is metamorfose, reinvent sin cesar. A lo largo de las calles, of Tuileries to Abbes, to St. Germain des Pres, Les Marais, is designed an entire geography of style, inviting look adventurers to explore the trends and the conquest of a "certain way" 
VISIT DOCECITY
private pool rental
Restaurants
one massage table at home
Small daring adventures ....
Paris chic trendy
et Ateliers de créateurs, boutiques branches, repair vintage
If l'élégance est une vertu, est un chic you talent. À Paris, celui-ci d'ateliers are créateurs decline in boudoir lingerie valuable multistore of mysterious creative in vintage shops.
Like our lives, the Parisian fashion metamorphoses, constantly reinventing itself. Over the street from the Tuileries to Abbesses, via Saint-Germain-des-Prés and the Marais, a real geography is emerging style, inviting look of adventurous exploration gourmet trends, the conquest of a "certain look".
París y de moda classy
If elegancia es una Virtud, lo chic are a talento. The
moda Parisina is metamorfose, reinvent sin cesar. A lo largo de las calles, of Tuileries to Abbes, to St. Germain des Pres, Les Marais, is designed an entire geography of style, inviting look adventurers to explore the trends and the conquest of a "certain way"
How Do You Masterbate?
Paris Rive Gauche is on the left side of the river Seine (your hotel is on the Rive Gauche). To see the special stores must be placed facing the garden of Luxembourg, having to back the Pantheon, and right of the garden.
The LA RIVE GAUCHE is THE DEFENSE. If you have time, is worth seeing. From the Arc de Triomphe, taking back the Tour Eiffel, we can see Les Champs Elysees and the background the new arc of Defense.
How To Get Rid Of Your Overbite Without Braces
Distance from Paris: 21 Km
Address: Southwest.
Travel Time: 35 minutes by RER / train.
By car: highway A13 from Porte de Saint-Cloud in Paris. Versailles Château exit.
By Bus: n º 171 (1,30 € / ticket metro / bus). From Pont de Sèvres (15e) to Place d'Armes, daily every 8-15 min.
By RER: Line C5 (2.35 €) from stations in Paris on the Left Bank to the station Versailles-Rive Gauche, located 700 meters from the palace. The last train to Paris leaves just before 24.00.
The line C8 (2.35 €) joins the left bank of Paris to Versailles-Chantiers station, 1.3 km from the palace.
By train: from Gare St-Lazare in Paris (3.20 €) to Versailles-Rive Droite 1.2 km from the palace. The last train to Paris leaves little after 24.00.
neoclassical Paris (La can do the same day as the iron architecture)
About
Pantheon Sorbonne on Rue de Saint Jacques, Gardens Louxembourgo, The Pantheon French letters and large, the Rue Mouffetard, Place de la Contrescarpe (May 68), Great Mosque, behind the Plaza de la Contrescarpe and to finalize the Montparnasse cemetery with the graves, including Jean Paul Sartre, Simone de Beauvoir and Boudelaire.
Montmartre, Defense
Gpsphone Cheats Have No Effect
PARIS WALKING MAP NEOCLASSICAL
Neoclassical Tour
PANTHEON OF THE AGE EMPIRE STYLE NAPOLEONIC
CHURCH OF THE MADELEINE (In the Place de la Concorde)
ARCH OF TRIUMPH
PANTEON
VENDOME COLUMN 
Neoclassical Tour
PANTHEON OF THE AGE EMPIRE STYLE NAPOLEONIC
CHURCH OF THE MADELEINE (In the Place de la Concorde)
ARCH OF TRIUMPH
PANTEON
VENDOME COLUMN
Puma Cricket Bat Stickers
IRON ARCHITECTURE
Eiffel Tower. Architecture
iron is the generic name of an architectural style and construction of the nineteenth century, originated in the availability of new materials that occurred during the Industrial Revolution.
Industrial Revolution, which began in England around the year 1760, brought many new compositions previously not even dreamed. However, the architects continued to use traditional materials for a long time while the colleges of Fine Arts, considered "low art" the fantastic structures designed by engineers throughout the nineteenth century.
The first building constructed entirely of iron and glass was the Crystal Palace (1850-1851, rebuilt between 1852 and 1854) in London, a great ship ready to host the first World Exposition of 1851, which was designed by Joseph Paxton who had learned the use of these materials in the construction of greenhouses. This building was the precursor of prefabricated architecture, and it proved possible to make beautiful buildings in iron.
Among the few examples of the use of iron in nineteenth century architecture features a Labrouste Henri building, the library of St. Genevieve (1843-1850) in Paris, a neoclassical building on the outside but inside the metal structure could be seen. The most impressive iron buildings of the century, built for the Paris Universal Exhibition of 1889: the ship of Machinery and the famous Eiffel Tower (1887) engineer Alexandre Gustave Eiffel. 
Eiffel Tower. Architecture
iron is the generic name of an architectural style and construction of the nineteenth century, originated in the availability of new materials that occurred during the Industrial Revolution.
Industrial Revolution, which began in England around the year 1760, brought many new compositions previously not even dreamed. However, the architects continued to use traditional materials for a long time while the colleges of Fine Arts, considered "low art" the fantastic structures designed by engineers throughout the nineteenth century.
The first building constructed entirely of iron and glass was the Crystal Palace (1850-1851, rebuilt between 1852 and 1854) in London, a great ship ready to host the first World Exposition of 1851, which was designed by Joseph Paxton who had learned the use of these materials in the construction of greenhouses. This building was the precursor of prefabricated architecture, and it proved possible to make beautiful buildings in iron.
Among the few examples of the use of iron in nineteenth century architecture features a Labrouste Henri building, the library of St. Genevieve (1843-1850) in Paris, a neoclassical building on the outside but inside the metal structure could be seen. The most impressive iron buildings of the century, built for the Paris Universal Exhibition of 1889: the ship of Machinery and the famous Eiffel Tower (1887) engineer Alexandre Gustave Eiffel.
Thursday, February 24, 2011
Seagate Disable Freeagent
THE COPIAGATE. APPEARANCE MATTERS MUSIC
Guttenberg, Defense Minister Angela Merkel, gets a cum shot laudem for a doctorate of 19 authors. And is that the aristocrats are not what they were!
COUNTRY
"(...) Also noteworthy is the German passion for academic qualifications. In Germany it is not unusual that a professor is decorated with the initials "Prof. Dr. ". Among the media and political elites of the country, the title of Doktor is considered a valuable distinction that few forget to put before their names. So it is very common to traps to get it. " 
Guttenberg, Defense Minister Angela Merkel, gets a cum shot laudem for a doctorate of 19 authors. And is that the aristocrats are not what they were!
COUNTRY
German Defence Minister resigns his doctorate when he was accused of plagiarism
Zu Guttenberg, star of the Executive Merkel is one of the most popular politicians. MAS
Notes The Country:
Monday, February 21, 2011
How Does An Electric Start Outboard
and the avant
Romantics
Brahms. Hungarian Dance No. 5
Inspired popular. Nacionalista
version Charlot of internationalist ideology.
Frederik Chopin canon film scene Igmar Swedish Bergman, Autumn Sonata, in which the mother teaches the daughter to understand and know how to interpret Chopin. A daughter does not like . He thinks that the mother has always underestimated.
Debussy and Impressionism
The
postromantic
Mahler Death In Venice, three great together: Visconti, film director, Gustav Mahler, Musician, Thomas Mann, writer, author of the novel led to cinema). Death in the contemplation of beauty and the inability to possess. The horizontal lines in the sand, the sea and the vertical chamber and the boy's right, we offer an atmosphere of calm that does not correspond to the tragedy that happens in the sand.
Trailer for the film Death in Venice
Tazdio, untouched beauty is not created by the artist
Bjorn Andersen, the Swedish Child Death in Venice
The terrible time. Bjorn now
Stravinsky, Cubism and the avant
Ravel's Bolero
In the context of changing
Son of Swiss watchmaker English mother. What do you suggest the bolero?
Romantics
Brahms. Hungarian Dance No. 5
Inspired popular. Nacionalista
version Charlot of internationalist ideology.
Frederik Chopin canon film scene Igmar Swedish Bergman, Autumn Sonata, in which the mother teaches the daughter to understand and know how to interpret Chopin. A daughter does not like . He thinks that the mother has always underestimated.
Debussy and Impressionism
The
postromantic
Mahler Death In Venice, three great together: Visconti, film director, Gustav Mahler, Musician, Thomas Mann, writer, author of the novel led to cinema). Death in the contemplation of beauty and the inability to possess. The horizontal lines in the sand, the sea and the vertical chamber and the boy's right, we offer an atmosphere of calm that does not correspond to the tragedy that happens in the sand.
Trailer for the film Death in Venice
Tazdio, untouched beauty is not created by the artist
Bjorn Andersen, the Swedish Child Death in Venice
The terrible time. Bjorn now
Stravinsky, Cubism and the avant
Ravel's Bolero
In the context of changing
Son of Swiss watchmaker English mother. What do you suggest the bolero?
Colored Dots On The Bottom Of Cans
EDGAR DEGAS
box
Watching: The Absinthe. Edgar Degas, 1876. Full
original
The players are not in the center of the composition. It forces us to participate and we would be sitting at the table on the left. The pipe man almost out of the frame, like a photo frame in question. Great composition, influenced by Japanese painting and photography, in which Degas, "the classic the follower of Ingres-portraits and drawings vacuum.
It departs from the Impressionist movement and its attraction to the exterior paint to turn their eyes a voyeur, ("Waiting for clients", 1876), to the city and its inhabitants, coloring Parisian interiors masterfully.
Edgar Degas, Chabrier-friend who immortalized in his famous "Orchestra of the Opera" at the expense of the heads of the dancers of the stage, is the portrait of the moment and of women. His painting is not vindictive but solidarity with the underprivileged. Disadvantaged
as this man and empty-eyed prostitute melancholy portrayed in 1876 in absinthe, a picture which produces a feeling of sadness, loneliness and compassion in equal measure. 
box
Watching: The Absinthe. Edgar Degas, 1876. Full
original
The players are not in the center of the composition. It forces us to participate and we would be sitting at the table on the left. The pipe man almost out of the frame, like a photo frame in question. Great composition, influenced by Japanese painting and photography, in which Degas, "the classic the follower of Ingres-portraits and drawings vacuum.
It departs from the Impressionist movement and its attraction to the exterior paint to turn their eyes a voyeur, ("Waiting for clients", 1876), to the city and its inhabitants, coloring Parisian interiors masterfully.
Edgar Degas, Chabrier-friend who immortalized in his famous "Orchestra of the Opera" at the expense of the heads of the dancers of the stage, is the portrait of the moment and of women. His painting is not vindictive but solidarity with the underprivileged. Disadvantaged
as this man and empty-eyed prostitute melancholy portrayed in 1876 in absinthe, a picture which produces a feeling of sadness, loneliness and compassion in equal measure.
Friday, February 18, 2011
Dragon Age Xbox 360 Infinite Health
EDOUARD MANET
Majas on the balcony of Goya
Manet's Balcony
Bar at the Folies Bergere
Titian's Venus of Urbino
Manet's Olympia
breakfast on the grass Manet
modern artist of the nineteenth century made this work full of modernism and tradition, creating a precedent for twentieth century art. See original page
In 1863, Manet presented at the Salon d'Automne in Paris this work, whose original title was " Bathroom." The work is rejected , creating, however, much controversy around it. However, this work, along with many others also had the approval of the jury were displayed in the newly created Hall of Rejected , whose exhibition received a resounding success.
was
III Napoleon himself who decided to create this second room for public comment had the option itself, of the works rejected by the Salon d'Automne. Manet exhibited "the picnic" that provoked much criticism, because he was accused of lack of technical and moral failure, exposing a scandalous naked before the public as refined . Yet there was another sector which itself was able to appreciate this magnificent work Manet, were the younger artists who were later known as the Impressionists . These were in a show of avant-garde painting, and took the canvas as a starting point, performing his work after the guidelines set up by Manet.
"The Bath," whose title was changed four years later, is a moment where the artist is breaking with the academic to make way for the originality and modernity . As the work was rejected by the lack of understanding by the jury, who saw in the canvas, immoral relationship between two men and a prostitute , as well identified with the characters. But Manet had departed from the classics to make this work, far from the provocations that the public wanted to see. First, is this "The concert setting of Giorgione from a modern point of view, and more full of life. We also find references to the "Judgement of Paris" of Raphael in the leading group presentation. And finally, looked at the work of Courbet, an artist who was close but a direct rival in terms of artistic style, he painted his "Girls in the Senna" behind a veil realistic. It featured a denuded women accompanied by male characters, all being presented under a halo of idealization, conducted away from the more violent than we intended Manet.
As for the origin of the idea, it seems be that the artist was inspired by a vision of a dip in the river during a stay in Paris Argenteuil. shaped the idea into his study, taking as a model for the protagonist to Victorine Meurant's favorite painter, accompanied the Dutch sculptor Leenhoff Ferdinand and his brother, Gustave . COMPOSITION
three people appear in the center of the canvas framed by a beautiful landscape that looms in the background, the Seine. Along the river is another half-naked woman taking a bath. As the leading group, first look at naked women painted, looking defiantly at the viewer, sitting by one of the male characters, and in front of the second man represented. The immaculate white of the female nudity in stark contrast to men's clothing. In the lower left corner appears as a small still life, the clothes of the girl next to a basket of fruit. is the contrast of this woman naked with his friends dressed up as the most controversial . The question we ask is what all the fuss when viewers were accustomed to seeing on the painting female nudes. The answer is given the same table, as far these had appeared nude in painting idealized way, loaded with symbolism, meaning explicit. Now, however, has been used with no apparent purpose, the naked woman is a known model, which is represented as a normal lady, not a goddess, not a mythological character .
The controversy created by this same defiant attitude of the woman looking boldly to the public, especially due to its identification with a real character. Thus the viewer has become voyeur as to observe the nude as it is, the body of a woman in all its glory, which could belong to any of their environment. This feeling is transferred to the public which leads to reject the work because it is against the moral principles of society, and places to that observed in an embarrassing situation in front of the box. But the controversy not only departed from this novel treatment of the nude, also influenced the new forms used by the painter, when performing his work.
aerial perspective in the bottom of the canvas using a novel technique that gives the work of true modernity, sketching the forms and getting the depth and feeling that the air envelops the scene, so the characters appear as an inherent part of the environment. However, this formula is not as original as it looks, it is putting into practice what you learned from your most admired artists, Velázquez.
USE OF COLOR
First, the use of color contrast surprisingly light, black suits against the pure white body of Victorine. Part of the pure colors, and wrapped in an atmosphere full of colors, marking the important centers and focusing on contrast vision. This highlighted the use of black was one reason why scholars reject the works of Manet, it was a bit color recommended and used, in art made by the academic environment.
JAPANESE INFLUENCE
We must consider the presence of Japanese prints in the cultural life of Late nineteenth-century Paris, and who is here in the treatment of light, focusing the light bulb in the central group, and leaving the rest in shadow barely draw a single shadow.
In summary, Manet took advantage of the teachings of the classics, those mentioned already, and those that could be copied in the Louvre, to get their own way, to paint things as I saw them.
is for this idea by which the Impressionist movement took as Manet's father, although this was never considered in that group. However, it is true that the ideas conveyed through his work, were in full compliance with the Impressionist works. This group of young treatment was able to appreciate the light colors and especially the artist's attempt to place the outdoor scene, although in the case of Manet did not leave the field as they did these impressionist painting. It is true that Manet had to use his workshop and give life to the image he had created in his mind after watching him swim in Argenteuil. The truth is that it did capture the moment, but we must say that the landscape was more artificial than it had hoped, and in turn, the prospect does not seem as natural as it should. These shortcomings will be achieved and exceeded by the impressionable youth who took their lessons developed a fine art movement, full of color and light. Concentrating on this idea translate what he saw in the most reliable, left painted on the canvas a toad barely visible in the bottom of the canvas, and a bird that flies over the main scene, perhaps to make it even more open-air feeling intended.
finally say that this work Manet was within the cultural forefront, giving rise to a new era both social and artistic. With its canvas challenge to academic art, brought to the public, but also showed great technical quality, great command of color and drawing, and above all, a huge respect for the great classics of the painting, which had in it a worthy predecessor.
Giorgione Concert picnic 
Majas on the balcony of Goya
Manet's Balcony
Bar at the Folies Bergere
Titian's Venus of Urbino
Manet's Olympia
breakfast on the grass Manet
modern artist of the nineteenth century made this work full of modernism and tradition, creating a precedent for twentieth century art. See original page
In 1863, Manet presented at the Salon d'Automne in Paris this work, whose original title was " Bathroom." The work is rejected , creating, however, much controversy around it. However, this work, along with many others also had the approval of the jury were displayed in the newly created Hall of Rejected , whose exhibition received a resounding success.
was
III Napoleon himself who decided to create this second room for public comment had the option itself, of the works rejected by the Salon d'Automne. Manet exhibited "the picnic" that provoked much criticism, because he was accused of lack of technical and moral failure, exposing a scandalous naked before the public as refined . Yet there was another sector which itself was able to appreciate this magnificent work Manet, were the younger artists who were later known as the Impressionists . These were in a show of avant-garde painting, and took the canvas as a starting point, performing his work after the guidelines set up by Manet.
"The Bath," whose title was changed four years later, is a moment where the artist is breaking with the academic to make way for the originality and modernity . As the work was rejected by the lack of understanding by the jury, who saw in the canvas, immoral relationship between two men and a prostitute , as well identified with the characters. But Manet had departed from the classics to make this work, far from the provocations that the public wanted to see. First, is this "The concert setting of Giorgione from a modern point of view, and more full of life. We also find references to the "Judgement of Paris" of Raphael in the leading group presentation. And finally, looked at the work of Courbet, an artist who was close but a direct rival in terms of artistic style, he painted his "Girls in the Senna" behind a veil realistic. It featured a denuded women accompanied by male characters, all being presented under a halo of idealization, conducted away from the more violent than we intended Manet.
As for the origin of the idea, it seems be that the artist was inspired by a vision of a dip in the river during a stay in Paris Argenteuil. shaped the idea into his study, taking as a model for the protagonist to Victorine Meurant's favorite painter, accompanied the Dutch sculptor Leenhoff Ferdinand and his brother, Gustave . COMPOSITION
three people appear in the center of the canvas framed by a beautiful landscape that looms in the background, the Seine. Along the river is another half-naked woman taking a bath. As the leading group, first look at naked women painted, looking defiantly at the viewer, sitting by one of the male characters, and in front of the second man represented. The immaculate white of the female nudity in stark contrast to men's clothing. In the lower left corner appears as a small still life, the clothes of the girl next to a basket of fruit. is the contrast of this woman naked with his friends dressed up as the most controversial . The question we ask is what all the fuss when viewers were accustomed to seeing on the painting female nudes. The answer is given the same table, as far these had appeared nude in painting idealized way, loaded with symbolism, meaning explicit. Now, however, has been used with no apparent purpose, the naked woman is a known model, which is represented as a normal lady, not a goddess, not a mythological character .
The controversy created by this same defiant attitude of the woman looking boldly to the public, especially due to its identification with a real character. Thus the viewer has become voyeur as to observe the nude as it is, the body of a woman in all its glory, which could belong to any of their environment. This feeling is transferred to the public which leads to reject the work because it is against the moral principles of society, and places to that observed in an embarrassing situation in front of the box. But the controversy not only departed from this novel treatment of the nude, also influenced the new forms used by the painter, when performing his work.
aerial perspective in the bottom of the canvas using a novel technique that gives the work of true modernity, sketching the forms and getting the depth and feeling that the air envelops the scene, so the characters appear as an inherent part of the environment. However, this formula is not as original as it looks, it is putting into practice what you learned from your most admired artists, Velázquez.
USE OF COLOR
First, the use of color contrast surprisingly light, black suits against the pure white body of Victorine. Part of the pure colors, and wrapped in an atmosphere full of colors, marking the important centers and focusing on contrast vision. This highlighted the use of black was one reason why scholars reject the works of Manet, it was a bit color recommended and used, in art made by the academic environment.
JAPANESE INFLUENCE
We must consider the presence of Japanese prints in the cultural life of Late nineteenth-century Paris, and who is here in the treatment of light, focusing the light bulb in the central group, and leaving the rest in shadow barely draw a single shadow.
In summary, Manet took advantage of the teachings of the classics, those mentioned already, and those that could be copied in the Louvre, to get their own way, to paint things as I saw them.
is for this idea by which the Impressionist movement took as Manet's father, although this was never considered in that group. However, it is true that the ideas conveyed through his work, were in full compliance with the Impressionist works. This group of young treatment was able to appreciate the light colors and especially the artist's attempt to place the outdoor scene, although in the case of Manet did not leave the field as they did these impressionist painting. It is true that Manet had to use his workshop and give life to the image he had created in his mind after watching him swim in Argenteuil. The truth is that it did capture the moment, but we must say that the landscape was more artificial than it had hoped, and in turn, the prospect does not seem as natural as it should. These shortcomings will be achieved and exceeded by the impressionable youth who took their lessons developed a fine art movement, full of color and light. Concentrating on this idea translate what he saw in the most reliable, left painted on the canvas a toad barely visible in the bottom of the canvas, and a bird that flies over the main scene, perhaps to make it even more open-air feeling intended.
finally say that this work Manet was within the cultural forefront, giving rise to a new era both social and artistic. With its canvas challenge to academic art, brought to the public, but also showed great technical quality, great command of color and drawing, and above all, a huge respect for the great classics of the painting, which had in it a worthy predecessor.
Giorgione Concert picnic
Sunday, February 13, 2011
Pain On Lower Left Cage
VSITA VIRTUAL MUSEUM OF GOOGLE
Log in here. Esmuy interesting to see close up detail of the great works of world art. enters here 
Log in here. Esmuy interesting to see close up detail of the great works of world art. enters here
Saturday, February 12, 2011
Average Price Outdoor Basketball Court
MIRROR SYMBOLISM PETER PAUL RUBENS
interesting page
Less interesting, but also on the mirror
About
interesting page
Less interesting, but also on the mirror
About
semiotics 
Wednesday, February 9, 2011
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